I'd like to keep this section as brief as possible so that you may spend more time enjoying the content below. My name is Sebestyén Sandor, and I have two passions in life: making movies and playing music. I'd absolutely obsessed with both and could do either forever without getting bored.
Panka Megint Maszatol (Panka's at It Again) (2025)
Peter Bark (2019)
Pitt Student Survey (2019)
Scared Beyond Development (2019)
Shane's Final Assignment (2019)
Warhol One Pager (2022)
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ACE (2019)
Description
This was an editing application I completed for an ACE internship opportunity. Unfortunately, I was not awarded the internship, but I am glad with the edit.
This was an idea my writer colleague at The Lumiere Film School had. She asked if I could help her direct it. For me, this was very valuable practice in multiple aspects of directing. First, I had to create the shotlist on the spot, as I had not seen the location beforehand. And second, this was an incredible lesson in directing an actor. She gave an unbelievable performance.
This was just some fun my cinematographer/editor friend and I were having while on break during the shooting of "Missing Person (2024)", nothing to be taken seriously.
This was the first assignment of the director's course for The Lumiere Film School. We had 4 hours and a soundstage to shoot 6 shots and create a consistent mood without the use of sound. I learned a lot from this assignment. I started creating the crew around me who I like to work with. I also learned a lot about my camera's stops of dynamic range. The only reason the picture is watchable is that I was able to bump the ISO in post; otherwise, everything would have been too dark. I learned that no matter that it's the cinematographer's job to worry about the lights, as the director, I have to be on top of it. I also wish I had shot more raw material.
This was my senior year capstone project at The University of Pittsburgh. I originally had another idea which was a mockumentary based around an amateur frisbee golf athlete, but the actor who I based the character on couldn't commit the time to the project so I had to quickly think of something that involved only my time - something quite challenging in a medium that usually requires teamwork. I had to come up with creative ways to make something that looks good and was engaging with the limitations that come with making a short film alone. I learned a lot from this film, mostly that I have a lot more fun doing it if I work with people I genuinely enjoy working with.
This is a one-minute film I made as an assignment for the directing course at Lumiere. I was really frustrated when I made this film and wanted the story to deliberately fall on its face. All the information is there to understand that it's a situation that could've been messy if it happened, but didn't want serve the story on a platter for the viewer. Retrospectively, I should've made some super basic story that everyone can understand easily on their first viewing, but, I use film to express myself, and this is what I felt like making at the time.
Panka Megint Maszatol (Panka's at It Again) (2025)
Description
This is a pro-bono commercial I developed for my friend. I helped conceptualize it and I directed production. My cinematographer/editor friend edited this version and I love it. Narration and title cards are still on the to do list.
This is my take on it. It is still in picture lock and the effects aren't final. My goal here was to cut an action sequence in an empty office, aka a place with no action.
This was one of the first assignments in my mockumentary class at UPitt and my first acting performance. Shooting this was a lot of fun, none of us could keep a straight face on set.
This was one of the first films I made at UPitt. This is the film I was editing when I realized that I can self express through film. I still remember the moment when I saw the image on the screen that had been in my head months prior and thought to myself, "this is my purpose on this planet". It was an overwhelmingly good moment.